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2. Three-dimensional art - Wikipedia

   en.wikipedia.org/wiki/Three-dimensional_art

   digital art created using 3D computer graphics; any form of visual art resulting in a three-dimensional physical object, such as sculpture, architecture, installation art and many decorative art forms; two-dimensional art that creates the appearance of being in 3D, such as through stereoscopy, anamorphosis, or photorealism

3. Trompe-l'œil - Wikipedia

   en.wikipedia.org/wiki/Trompe-l'œil

   Trompe-l'œil is employed in Donald O'Connor's famous "Running up the wall" scene in the film Singin' in the Rain (1952). During the finale of his "Make 'em Laugh" number he first runs up a real wall. Then he runs towards what appears to be a hallway, but when he runs up this as well we realize that it is a large trompe-l'œil mural.

4. Frescography - Wikipedia

   en.wikipedia.org/wiki/Frescography

   Frescography (from Latin fresco – painting onto "fresh" plaster + Greek graphein – to write) is a method for producing murals digitally on paper, canvas, glass or tiles, invented in 1998 by German muralist Rainer Maria Latzke. [1]

5. Decoupage - Wikipedia

   en.wikipedia.org/wiki/Decoupage

   Pyramid decoupage (also called pyramage) is a process similar to 3D decoupage. In pyramid decoupage, a series of identical images are cut into progressively smaller, identical shapes which are layered and fixed with adhesive foam spacers to create a 3D "pyramid" effect. A person who does decoupage is known as a decoupeur, or "cutter".

6. Mural - Wikipedia

   en.wikipedia.org/wiki/Mural

   Many homeowners choose to display the traditional art and culture of their society or events from their history in their homes. Ethnic murals have become an important form of interior decoration. Warli painting murals are becoming a preferred mode of wall decor in India. Warli painting is an ancient Indian art form in which the tribal people ...

7. Installation art - Wikipedia

   en.wikipedia.org/wiki/Installation_art

   In "Art and Objecthood", Michael Fried derisively labels art that acknowledges the viewer as "theatrical" (Fried 45). There is a strong parallel between installation and theater: both play to a viewer who is expected to be at once immersed in the sensory / narrative experience that surrounds him and maintain a degree of self-identity as a viewer.