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Why Don't You Play in Hell? (地獄でなぜ悪い, Jigoku de naze warui, literally What's so bad about hell?) is a 2013 Japanese film directed, written and scored by Sion Sono. [2] [3] The movie is an action film based on a screenplay written by Sono fifteen years earlier.
Though the teaching had nothing to do with monkeys, the concept of the three monkeys originated from a simple play on words. The saying in Japanese is mizaru, kikazaru, iwazaru (見ざる, 聞かざる, 言わざる) "see not, hear not, speak not", where the -zaru is a negative conjugation on the three verbs, matching zaru, the rendaku form of ...
In English, at one end of a scale are words like silly goose and at the other end are words like stupid asshole. And in Japanese, at one end are words like kamaboko baka 蒲鉾馬鹿 'silly chump' and at the other end are words like baka-yarō 馬鹿野郎 'damn fool'. The difference is in the degree of lexical diversification along the scales ...
Voiced by: Risa Hayamizu (Japanese); Shelley Calene-Black (English) Tomoko and Tomoki's mother, who is often concerned about her daughter's well-being. Kiko Satozaki (里崎 希心, Satozaki Kiko) / Kii (きーちゃん, Kī-chan) Voiced by: Rie Kugimiya (Japanese); Juliet Simmons (English) Tomoko's little cousin who is three years younger than ...
The phrase "down bad" has taken on a life of its own on social media. People seem to be using it in a myriad of ways, but the spirit of the term is to yearn. Urban Dictionary defines "down bad" as ...
Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...
In Japanese culture, social hierarchy plays a significant role in the way someone speaks to the various people they interact with on a day-to-day basis. [5] Choice on level of speech, politeness, body language and appropriate content is assessed on a situational basis, [6] and intentional misuse of these social cues can be offensive to the listener in conversation.
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