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Art historian James Francis Cahill noted the contrast to later landscape paintings which depicts fishing as a more leisurely activity. [3] The textures of the trees are bold and twisted, with the trunks utilizing washes and dry strokes to emphasize lighting and volume, and in addition, the reeds are shown with flicks of the brush. [2]
Roar, China! was an artistic theme and the title of various artistic works authored from the 1920s through the 1930s which expressed solidarity with China. Significant works include the poem and play by Soviet Futurist Sergei Tretyakov, Langston Hughes' poem of the same name, and a wood cut by Li Hua.
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Economic development, characterized by rapid industrialization and urbanization, profoundly impacted the social fabric and cultural expressions in China.The shift from a predominantly agrarian society to an urban, industrial powerhouse within a few decades created a milieu where traditional values intersected and sometimes clashed with modernist and postmodernist ideas.
The Yan'an Talks outlined the CCP's policy on "mass culture" (Chinese: 群众文化; pinyin: qúnzhòng wénhuà) in China, which was to be "revolutionary culture" (Chinese: 革命文化; pinyin: gémìng wénhuà). The core concept of the Yan'an Talks was that art should translate the ideas of the Chinese Communist Revolution for rural peasants.
Lee Chi-mao (Chinese: 李奇茂, March 22, 1925 – May 24, 2019), born Li Yuntai (李雲台) and self-proclaimed " the owner of the Cai Feng Tang (采風堂主)," [1] was a Chinese ink painter from Woyang County, Anhui Province (now Lixin County). In his early years, he primarily created works with a distinctive literary and artistic style ...
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).