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Roman gold glass beads were made by using an inner tube or rod to which the gold leaf was stuck. A larger tube was slid over that and the beads crimped off. Easily transported and very attractive, Roman gold glass beads have been found as far outside the Empire as the Wari-Bateshwar ruins in Bangladesh, and sites in China, Korea, Thailand and ...
This is a list of surviving ancient Roman gold glass portraits of the finer painted sort. The majority of surviving Roman gold glass pieces are the cut-off bottoms of drinking glasses made with unpainted gold leaf. These sometimes bear the names of individuals and were probably commemorative gifts on a special occasion such as a wedding ...
Goblet with wolves attacking a horse, New England Glass Company, c. 1860–1875, blown, cobalt-blue cased glass, cut and engraved by Louis F. Vaupel. Glass-engraved figurative images as the primary decorative element on a particular object was less common in much of the Western world than before, with Bohemia the main exception.
Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. These are a pair of handblown Steuben gold Aurene glass candlesticks designed by Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private collection in Manhattan, New York.)
Detail of a gold glass medallion with a portrait of a family, from Alexandria (Roman Egypt), 3rd–4th century (Brescia, Museo di Santa Giulia) [24] Gold sandwich glass or gold glass was a technique for fixing a layer of gold leaf with a design between two fused layers of glass, developed in Hellenistic glass and revived in
Aventurine glass was first invented in 17th or 18th century Venice. It is made to imitate aventurine quartz, it is a yellow glass filled with flecks of sparkling copper particles. Cameo glass is like cased glass, with two layers of different colors. The outer layer is then engraved with a diamond point or etched with acid to create a two-color ...
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