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An instruction to string performers to play a pizzicato note to pull the string away from the fingerboard so that it snaps back percussively on the fingerboard. bass The lowest of the standard four voice ranges (bass, tenor, alto, soprano); the lowest melodic line in a musical composition, often thought of as defining and supporting the harmony ...
This is known as snap pizzicato or Bartók pizzicato, after one of the first composers to use it extensively (e.g. in the 4th movement of his Fourth String Quartet, 1928). Gustav Mahler famously employs this kind of pizzicato in the third movement of his Seventh Symphony , in which he provides the cellos and double basses with the footnote ...
Cancels col legno and pizzicato. (In any string passage, arco is usually expected, as it is the "default" approach; it is only ever written at the end of col legno or pizzicato passages.) Arpeggio: harp-like: A chord with the notes spread out in time (rather than sounded simultaneously) Basso continuo: continuous bass
A snap pizzicato, first specified by Gustav Mahler, but often called a Bartók pizzicato since Béla Bartók was the first to use the technique extensively, requires the player to pull the string away from the fingerboard so that when it is released it rebounds with force onto the fingerboard, yielding a sharp, percussive snapping sound.
SPOILERS BELOW—do not scroll any further if you don't want the answer revealed. The New York Times Today's Wordle Answer for #1303 on Sunday, January 12, 2025
The harpsichord does not fit any of these categories but is also a plucked string instrument, as its strings are struck with a plectrum when the keys are depressed. Bowed string instruments, such as the violin , can also be plucked in the technique known as pizzicato ; however, as they are usually played with a bow , they are not included in ...
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Pizzicato-Polka (1869, no opus number; written in collaboration with his brother Josef Strauss) So Ängstlich sind wir nicht, Op. 413 (Schnell-Polka (Galopp) from the comic operetta Eine Nacht in Venedig) Annina, polka-Mazurka, Op. 415 (1883) Durch's Telephon, Op. 439, Over the Telephone (1890) Neue Pizzicato Polka, Op. 449, New Pizzicato Polka