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Modern Typography is a 1920s principle that expresses a reaction against what its proponents perceived as a decadence of typography and design emerging from the late 19th century. This amalgam consists of the foundations and overall notions of Design Concept, Typeface, Objective, Model of Vision, and its significance among readers.
Pages in category "Typefaces and fonts introduced in the 1930s" This category contains only the following page. This list may not reflect recent changes. A.
Pages in category "Typefaces and fonts introduced in 1930" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. B.
However, more modernized fonts of the Gebrochene Grotesk type such as Tannenberg were in fact the most popular typefaces in Nazi Germany, especially for running text as opposed to decorative uses such as in titles. These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis ...
Typography is the art and technique of arranging type to make written language legible, ... Modern lead-based movable type, ... 1930s, the term ...
"International Typographic Style" is meaningfully related to the concept of International Style in architecture. This phenomenon, in turn, is attributed to the 1930s–1960s and is associated with the exhibition "Modern Architecture: An International Exhibition", which was held in 1932 at the Museum of Modern Art in New York. [12]
Jan Tschischold, heavily inspired by the Bauhaus school though never a member, developed a New Typography in 1928. [4] The treatise shaped modern typography, printing, and graphic design. [5] In 1929, Bauhaus professor, László Moholy-Nagy, issued a statement that said typography "must be communication in its most intense form. The emphasis ...
Active-age Typography, Chicago, 1930. Concerning Quotations , New York, 1934 A History of Printing in the United States: The Story of the Introduction of the Press and of Its History and Influence during the Pioneer Period in Each State of the Union, , in collaboration with Albert H. Allen, R.R. Bowker , N.Y.C., 1936.