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"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
"El Paso" is a western ballad written and originally recorded by Marty Robbins, and first released on Gunfighter Ballads and Trail Songs in September 1959. It was released as a single the following month, and became a major hit on both the country and pop music charts , becoming the first No. 1 hit of the 1960s on both.
It is perhaps best known for Robbins's most successful single, "El Paso," a major hit on both the country and pop music charts, as well as for its opening track, "Big Iron," a song that gained a resurgence in popularity online as an Internet meme after its inclusion in the 2010 video game Fallout: New Vegas. [4]
The Rhythm Pigs were an American punk band, originally from El Paso, Texas, United States, later relocated to San Francisco. Their first two albums were among the first to be released by the influential independent Mordam Records label. Their first 7-inch EP is a classic example of early hardcore, welding driving rock and roll with broad ...
Hinojos joined as live rhythm guitarist and became the band's sound manipulator, the position previously held by the late Ward. Hinojos had previously toured with The Mars Volta in 2003 and 2004. During mid-2005, the band toured in support of the album with System of a Down and curated the All Tomorrow's Parties festival at Camber Sands in ...
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
In El Paso, I played at the Black and Tan Club and sometimes over the border in Juarez." Banister was by this time listening to records Mickey Baker , Pete "Guitar" Lewis , and Wayne Bennett played on, incorporating aspects of their styles into his own technique.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...