Search results
Results from the WOW.Com Content Network
It consists of jazz cover versions of songs originally by The Beatles. [1] The album's title comes from the lyrics of the Beatles's cover of the Chuck Berry song, "Rock and Roll Music", which was originally released on the studio album Beatles for Sale.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Songs about jazz" The following 22 pages are in this category, out of 22 total.
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
A jazz song is a song in the jazz idiom. Many well known are not songs; those in this category are and therefore should generally mention singers best known for singing the numbers. Contents
Under the Jasmin Tree is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in December 1967 and released on the Apple label. [4] The album was the fourth release on the Beatles' new label and the MJQ were the only jazz act to record for Apple.
The Modern Jazz Quartet later made a full album based on this theme, The Comedy (1962). [2] The title track was released on a 45-rpm 7-inch EP with the track being split across the two sides. The mono version of the album has a good recorded sound quality as one would expect from an important 1956 jazz release.