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Clinical Voice Therapy: Dinah Harris, contributor to The Voice Clinic Handbook, recommends learning Estill Voice Training as it provides many useful tools for those working in a voice clinic. [83] Rattenbury, Carding and Finn present a study that used a range of Figures for Voice exercises as prognostic indicators and voice therapy treatment ...
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Most voice teachers believe that it is essential to establish good vocal habits within a limited and comfortable range before attempting to classify the voice. When techniques of posture, breathing, phonation, resonation, and articulation have become established in this comfortable area, the true quality of the voice will emerge and the upper ...
Voice projection is the strength of speaking or singing whereby the human voice is used powerfully and clearly. It is a technique employed to command respect and attention, such as when a teacher talks to a class, or simply to be heard clearly, as used by an actor in a theatre or during drill. Breath technique is essential for proper voice ...
Voice therapy consists of techniques and procedures that target vocal parameters, such as vocal fold closure, pitch, volume, and quality. This therapy is provided by speech-language pathologists and is primarily used to aid in the management of voice disorders, [1] or for altering the overall quality of voice, as in the case of transgender voice therapy.
Arthur Lessac (September 9, 1909 – April 7, 2011) was the creator of Lessac Kinesensic Training for the voice and body. Lessac's voice text teaches the “feeling process” for discovering vocal sensation in the body for developing tonal clarity, articulation, and for better connecting to text and the rhythms of speech.
The Complete Vocal Institute (Danish: Komplet Vocal Institute) also known as CVI, is a private vocal and music institution located in Copenhagen, Denmark.The Institute specialises in the theoretical basis and practical application of the Complete Vocal Technique (often abbreviated to CVT), a technique for vocalists developed by singer and voice researcher Cathrine Sadolin.
Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...