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Savitha Sastry (born 11 December 1969) is an Indian dancer and choreographer best known as an exponent of Bharatanatyam.She is known to experiment with the format of traditional Bharatanatyam by using the techniques of Bharatanatyam to showcase theme-based productions based on novel stories, not based on Indian mythology or religion.
The costume of a male Bharatanatyam dancer is usually either a sari or a white cotton cloth draped around the legs and bottom half of the body like a dhoti. During performances, the upper body of the male dancer remains bare. Male dancers typically do not wear stitched costumes.
Geeta Chandran is an Indian Bharatanatyam dancer and vocalist. [ 1 ] [ 2 ] Trained in Carnatic music, she is a visionary and celebrated artist in Indian classical Bharatanatyam, recognized for her work in theatre, dance, education, videos and films.
Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. [1] She is the founder of Kaladiksha , an institution promoting Bharatanatyam and striving to preserve the Pandanallur tradition .
Alarmel Valli (born 14 September 1956) is an Indian classical dancer and Bharatanatyam-Pandanallur choreographer. [1] [2] She founded The Dipasikha Dance Foundation in Chennai in 1984, where she teaches Bharatanatyam. [3] In 1991, Alarmel Valli was the second youngest dancer to be conferred the Padma Shri from the Government of India, after ...
Meenakshi Srinivasan (born 11 June 1971) is an Indian classical dancer and choreographer, and an exponent of the Pandanallur style of Bharatnatyam. [1] She trained under Alarmel Valli and is considered among the most promising soloists of the younger generation of dancers in this traditional style.
Mythili Prakash [1] is an American dancer and choreographer specializing in Bharatanatyam, a classical dance form originating in Southern India. [2] Recognized as one of the world’s leading young exponents of Bharatanatyam, her classical, yet inventive approach revitalizes the physicality, musicality and expressive theatricality of the dance to create an exceptional style that is distinct ...
Visweswaran began dancing at the age of three with her mother, Rukmini Padmanabhan, who was trained in contemporary Indian dance and Bharata Natyam. Her father was an engineer with Indian Railways, and when his job took the family to London, Chitra began to study classical ballet. Later, in Kolkata, she trained in the Manipuri and Kathak dance ...