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[[Category:Musical instrument templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Musical instrument templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music. The shorthand is ordered in the same fashion as the parts of the individual instruments in the score (when read from top to bottom).
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This template is intended to provide an easy and consistent list of musical instrument templates.
If a composer writes a large action cue, and no woodwinds are used, the orchestrator will often add woodwinds by doubling the brass music up an octave. The orchestra size is determined from the music budget of the film. The orchestrator is told in advance the number of instruments he has to work with and has to abide by what is available.
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
In theatrical productions, an instrument schedule is a listing of all the lighting instruments and information about them used in a show. [1]: 223 The instruments are organized by their position on-stage, and is the distinguishing characteristic between an instrument schedule and a channel hookup or similar paperwork. The instrument schedule ...
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.