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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play. It has been analyzed as a historical document for clues about the nature of early modern acting practices and it has also been used as a contemporary ...
It starred Martin Sheen as Hamlet, and Sheen delivered the monologues either in Spanish or with a Spanish accent, as Hamlet's alter-ego, a Puerto Rican janitor named Ramon. [ 220 ] Other New York portrayals of Hamlet of note include that of Ralph Fiennes 's in 1995 (for which he won the Tony Award for Best Actor)—which ran, from first preview ...
Ivan_Cankar_-_Hamlet.pdf (327 × 485 pixels, file size: 21.67 MB, MIME type: application/pdf, 216 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
At the end of the act, the characters realise that they forgot to perform Coriolanus which Adam refuses due to the vulgarity of the title, and also Hamlet, Shakespeare's epitome. Adam becomes nervous and petulant about performing the famous and difficult play, so he runs around the theatre and out the door chased by Jess.
His monologue from '96 was by far one of the funniest monologues to date. With his takes on the election, his life after being on the show, and his ability to make regular life seem so hilarious.
The next two scenes at court are from the plot of Hamlet. The first, involving Hamlet and Ophelia, takes place offstage in Hamlet—the stage directions repeat exactly the words with which Ophelia describes the event to Polonius in Hamlet. The second is taken directly from Hamlet: Rosencrantz and Guildenstern's first appearance in that play ...