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In the first quatrain of the sonnet, the speaker pledges himself to the mistress, while he humbly refers to himself as "I that vex thee." It can be roughly paraphrased as: You have me, and me, and me again.
Sonnet 103 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Synopsis
Sonnet 54 is one of 154 sonnets published in 1609 by the English playwright and poet William Shakespeare.It is considered one of the Fair Youth sequence. This sonnet is a continuation of the theme of inner substance versus outward show by noting the distinction between roses and canker blooms; only roses can preserve their inner essence by being distilled into perfume.
Shakespeare's Sonnet 37 returns to a number of themes sounded in the first 25 of the cycle, such as the effects of age and recuperation from age, and the blurred boundaries between lover and beloved. However, the tone is more complex than in the earlier poems: after the betrayal treated in Sonnets 34–36, the speaker does not return to a ...
Lear, Tolstoy and the Fool" is an essay by George Orwell. It was inspired by a critical essay on Shakespeare by Leo Tolstoy, and was first published in Polemic No. 7 (March 1947). [1] Orwell analyzes Tolstoy's criticism of Shakespeare's work in general and his attack on King Lear in particular. According to Orwell's detailed summary, Tolstoy ...
Sonnet 25 is one of 154 sonnets published by the English playwright and poet William Shakespeare in the Quarto of 1609. It is a part of the Fair Youth sequence. It is a part of the Fair Youth sequence.
While frequently the rhythm of iambic pentameter lines arises from the implicit emphasis of its words, this sonnet affords several examples of the implicit emphasis of words arising from the meter. For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that ...
Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe