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Muntins divide a single window sash or casement into a grid system of small panes of glass, called "lights" or "lites". In UK use, a muntin is a vertical member in timber panelling or a door separating two panels. Windows with "true divided lights" make use of thin muntins, typically 1/2" to 7/8" wide in residential windows, positioned between ...
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures. The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may ...
e. A mashrabiya or mashrabiyya (Arabic: مشربية) is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. [1][2] It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass.
The litema patterns are characterised by a multi-stage symmetry. Patterns are generally arranged in square cells. A wall to be shaped is divided into a grid to form the cells. Each cell is applied with the same pattern, which is usually rotated or mirrored from cell to cell.
A double-hung window where the upper sash is smaller (shorter) than the lower is termed a cottage window. [citation needed] A single-hung window has two sashes, but normally the top sash is fixed and only the bottom sash slides. Triple- and quadruple-hung windows are used for tall openings, common in New England churches.
The Venetian window consists of an arched central light, symmetrically flanked by two shorter sidelights. Each sidelight is flanked by two columns or pilasters and topped by a small entablature. The entablatures serve as imposts supporting the semicircular arch that tops the central light. In the library at Venice, Sansovino varied the design ...
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