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The term light academia was coined on Tumblr in 2019 by the user 'plantaires,' who wrote: [2] "You've heard of 'dark academia', now its time for 'light' academia… wearing light linen sundresses in foreign countries, eating picnics and pastries in the afternoon sun while reading poetry and laughing with your friends, the burning passion and excitement when you finally make a breakthrough in ...
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Goblincore sweater. Second-hand and thrifted clothing feature prominently in the fashion of goblincore, often emphasizing comfort and brown, green, and clashing colours. The aesthetic often features idealised imagery of natural creatures such as snakes, frogs, snails, and earthworms; animal skeletons and rocks; plants and fungi like ferns, moss, and mushrooms.
[232] [233] [234] When anime is defined as a "style" rather than as a national product, it leaves open the possibility of anime being produced in other countries, [230] but this has been contentious amongst fans, with John Oppliger stating, "The insistence on referring to original American art as Japanese "anime" or "manga" robs the work of its ...
Japanese manga has developed a visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists.
The advent of Japanese anime stylizations appearing in Western animation questioned the established meaning of "anime". [182] Defining anime as style has been contentious amongst critics and fans, with John Oppliger stating, "The insistence on referring to original American art as "anime" or "manga" robs the work of its cultural identity." [2 ...
) [a] is a Japanese anime television series produced by Toei Animation. It is the twenty-first installment in the Pretty Cure franchise and its first entry with a title written in hiragana . [ 4 ] It is directed by Masanori Sato and written by Yoshimi Narita , with character designs by Yoko Uchida and costume designs by NaSka.
The kawaii aesthetic is characterized by soft or pastel colors, rounded shapes, and features which evoke vulnerability, such as big eyes and small mouths, and has become a prominent aspect of Japanese popular culture, influencing entertainment (including toys and idols), fashion (such as Lolita fashion), advertising, and product design.