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Boxwood miniatures follow in the tradition of earlier Christian sculptures, including ivory diptychs, [10] sculptures of the Virgin and Child, and relief carvings. [24] They are similar in style to larger scale contemporary artworks, especially Flemish panel paintings, altarpieces, and sculpture, and they were conceived with similar religious ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The Infant Jesus of Prague (Czech: Pražské Jezulátko: Spanish: Niño Jesús de Praga) is a 16th-century wax-coated wooden statue of the Child Jesus holding a globus cruciger of Spanish origin, now located in the Discalced Carmelite Church of Our Lady of Victories in Malá Strana, Prague, Czech Republic.
Tilman Riemenschneider (c. 1460 – 7 July 1531) was a German woodcarver and sculptor active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between the Late Gothic, to which he essentially belonged, and Northern Renaissance art, a master in limewood and stone.
The statue is dated around the year 980 [2] and was thus created during the tenure of Mathilde, a granddaughter of Emperor Otto I, as abbess of Essen Abbey.Under her reign and those of her successors Sophia of Gandersheim (1012–1039) and Theophanu (1039–1058), the abbey acquired what is today considered the most precious of the works of art of the Essen treasury.
The church is built in the form of a Latin cross, and is decorated with large paintings made in 1954 by Alfonso Tentarelli according to the project of father Jean Lerario; there is a wooden statue of Mary with Jesus blessing child of the fifteenth century (unknown author) called "Madonna dello Splendore". On August 15, 1914, a golden silver ...
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