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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
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A primary advantage of curing with ultraviolet light is the speed at which a material can be processed. Speeding up the curing or drying step in a process can reduce flaws and errors by decreasing time that an ink or coating spends wet. This can increase the quality of a finished item, and potentially allow for greater consistency.
The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing.
The "drying", hardening, or, more properly, curing of oils is the result of autoxidation, the addition of oxygen to an organic compound, and the subsequent crosslinking.. This process begins with an oxygen molecule (O 2) in the air inserted into carbon-hydrogen (C-H) bonds adjacent to one of the double bonds within the unsaturated fatty
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Oil paint is a medium made up of pigments and a drying oil binding agent. Various other ingredients can be mixed in to condition the paint in several ways and modify its various properties and drying. [1] Oil paintings are painted on various surface support types. Oil on canvas, oil on board, and oil on metal are only some examples of oil ...
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