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The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
The contraforte uses a different and wider bore [1] than the contrabassoon to produce a distinct tone; the sound is more even in strength and intonation across registers, remaining quite strong into the high register, unlike a contrabassoon. Also, it lacks the distinct "rattle" of a contrabassoon, although an appropriate reed design can ...
The semi-contrabassoon (also called quint bassoon, semi-contra or half-contra) is a double reed woodwind instrument pitched between the bassoon and the contrabassoon.It is pitched in either F (quint bass) or G (quart bass) a fifth or fourth, respectively, below the bassoon.
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
In June 2004, before they could record their next song, "Najane Kyun", Strings were approached by the heads at Columbia TriStar Films of India, a sister company to their record label company to include the song in the soundtrack of the Hindi version of the epic Hollywood blockbuster Spider-Man 2. [1]
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Xiangsheng (traditional Chinese: 相聲; simplified Chinese: 相声; pinyin: Xiàngsheng; lit. 'face and voice'), also known as crosstalk or comic dialog, [2] is a traditional performing art in Chinese comedy, and one of the most popular elements in Chinese culture.
The Chinese name contains two words: "Xinwen" (新闻/新聞) meaning "news" and "Lianbo" (联播/聯播) closely translating to "joint broadcast" or "simulcast", referring to the fact that material is broadcast by all provincial and municipal television stations (usually their flagship channel) in China, which guarantee that audience could ...