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During the 1960s a new series of 'sound effect' comedies began with Dick Lester, Spike Milligan and Peter Sellers's Running Jumping & Standing Still, continued through Eric Sykes's The Plank, Barbara Windsor's San Ferry Ann and included four films with Ronnie Barker: A Home of Your Own, Futtock's End, The Picnic, and By the Sea.
Wesley Bryon Harrison (January 31, 1925 - July 21, 2019), better known as Wes Harrison and nicknamed Mr. Sound Effects, was an American comedian and voice actor, notable for his ability to create realistic sound effects using only his voice and a Shure 530 Slendyne microphone. [1] Harrison had a comic style reminiscent of Red Skelton.
This category is for comedy films made during the silent to sound transition period (roughly late 1927 to early 1930), which had some form of sound such as dialogue, music or sound effects. Some of these films were originally made as silents and then re-released with added sound. By the end of 1930, the use of sound had become predominant in ...
Pages in category "Films set on balloons" The following 16 pages are in this category, out of 16 total. ... Olly Olly Oxen Free (film) P. Poupelle of Chimney Town; S.
Late in the show, a short segment will consist of a camera panning across the audience as it applauds during the break. A comedy piece will usually be superimposed above this video; in most cases this is either a graphic presenting a game or announcement narrated by Kalter, or a comedy piece featuring Kalter himself.
Olly Olly Oxen Free (also known as The Great Balloon Adventure or The Great Balloon Race) is a 1978 American family adventure film directed by Richard A. Colla and starring Katharine Hepburn. The screenplay by Eugene Poinc is based on a story by Poinc, Colla, and Maria L. de Ossio.
Break Up (Italian: L'uomo dei cinque palloni and also known as The Man with the Balloons) is a 1965 Italian comedy film directed by Marco Ferreri. [1] Plot
The genre is one of the oldest in American cinema; some of the first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. [1] With the advent of sound in the late 1920s and 1930s, comedic dialogue rose in prominence in the work of film comedians such as W. C. Fields and the Marx Brothers ...
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