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The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace , and can include elaborate designs extending to the ceiling.
Underneath are solid brass doors with copper frames, and stained glass transom windows of faux "Chartre Blue" surround the foyer. Three large arched windows sit over the marquee. Building materials include marble from Italy, Vermont and Texas, limestone from Indiana in the lobby, and granite from Maine to face Corinthian columns in the auditorium.
Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
Modern open fireplace An outdoor fireplace. A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Modern fireplaces vary in heat efficiency, depending on the design.
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
The Drawing Room features twin fireplaces made from Coade stone, dated to 1789, which originally belonged to the family's house in Belgravia, London. Both are carved, one depicting Faith, Hope and Charity, and the other the Aldobrandini Marriage.
A specialist from the E.K. Perry Paint Company demonstrates the art of sponge painting in Weatherbee Farm's living room. Artisan Jeannie Serpa shows us the art of painting in the faux marble technique. Wallpaper is hung in the nursery and Jeff Hoskings refinishes a floor.
Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons."
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