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Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. [ 1 ]
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Stack of Adire Yoruba women wearing adire clothing on movie set. Adire textile is a type of dyed cloth from south west Nigeria traditionally made by Yoruba women, using a variety of resist-dyeing techniques. [1] [2] The word 'Adire' originally derives from the Yoruba words 'adi' which means to tie and 're' meaning to dye. [3]
In other resist-dyeing techniques such as tie-dye and batik the resist is applied to the woven cloth, whereas in ikat the resist is applied to the yarns before they are woven into cloth. Because the surface design is created in the yarns rather than on the finished cloth, in ikat both fabric faces are patterned.
Resist dyeing has been very widely used in Asia, Africa, and Europe since ancient times. The earliest extant pieces of resist-dyed fabric were found in Egypt, dating to the 4th century AD. [citation needed] Cloths used for mummy wrappings were sometimes coated with wax, scratched with a sharp stylus, and dyed with a mixture of blood and ashes.
Leheria dyeing is done on thin cotton or silk cloth, usually in lengths appropriate for dupatta, turbans or saris. According to World Textiles: A Visual Guide to Traditional Techniques , the fabric is "rolled diagonally from one corner to the opposite selvedge , and then tied at the required intervals and dyed".
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Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste, or a mechanical resist that manipulates the cloth such as tying or stitching. Resist techniques include screen printing, tie-dye, ikat, and batik. [39] royal purple
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