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The definition of Kabbalah varies according to the tradition and aims of those following it. [28] According to its earliest and original usage in ancient Hebrew it means 'reception' or 'tradition', and in this context it tends to refer to any sacred writing composed after (or otherwise outside of) the five books of the Torah. [29]
Pardes Rimonim (meaning "Orchard of Pomegranates", [1] with the word pardes having the double meaning of kabbalistic "exegesis") is a primary text of Kabbalah composed in 1548 by the Jewish mystic Moses ben Jacob Cordovero in Safed, Galilee. 16th century Safed saw the theoretical systemisation of previous Kabbalistic theosophical views.
The word "notarikon" is borrowed from the Greek language (νοταρικόν), and was derived from the Latin word "notarius" meaning "shorthand writer." [2] Notarikon is one of the three methods used by the Kabbalists (the other two are gematria and temurah) to rearrange words and sentences. These methods were used to derive the esoteric ...
Medieval Kabbalah depicts a linear descending hierarchy of Ohr "Light", the ten sefirot or divine attributes emerging from concealment in the Ein Sof "Divine Infinity" to enact Creation, with the Four Worlds unfolding sequentially until physical creation. Lurianic Kabbalah, in contrast, describes dynamic processes of exile and redemption in the ...
Traditionalist Kabbalah and its development in Hasidic Judaism often took negative views of secular wisdoms. While some historical Kabbalists were learned in the canon of medieval Jewish philosophy, and occasionally mathematics and sciences, its relationship to medieval Jewish philosophy (built on Ancient Greek science and cosmology) was ambiguous.
Christian Kabbalah arose during the Renaissance due to Christian scholars' interest in the mysticism of Jewish Kabbalah, which they interpreted according to Christian theology. It is often transliterated as Cabala (also Cabbala ) to distinguish it from the Jewish form and from Hermetic Qabalah .
Medieval Kabbalah described the ten sefirot as divine channels that emanate from their source and descend in a linear progression. Moses ben Jacob Cordovero systemised the different Medieval interpretations of the Zohar. Later, Isaac Luria recast Kabbalah into its second articulation. Lurianic Partzufim describe the dynamic relationships ...
In medieval Kabbalah, Chai is the lowest (closest to the physical plane) emanation of God. [2] According to 16th century Greek rabbi Shlomo Hacohen Soloniki, in his commentary on the Zohar, Chai as a symbol has its linkage in the Kabbalah texts to God's attribute of 'Ratzon', or motivation, will, muse. [3]