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"Open Arms" is a song by American singer-songwriter SZA from her second studio album, SOS (2022), featuring American rapper Travis Scott. It is a ballad backed by an acoustic guitar, conceived as part of an effort to explore soundscapes outside of SZA's usual R&B-leaning music.
SZA performing at Glastonbury 2024 American singer-songwriter SZA co-writes almost all of her songs with their respective producers; for many of them, she is the sole lyricist. [ a ] Her repertoire encompasses two studio albums , one reissue album, three extended plays (EPs), multiple film and television soundtracks, and several guest appearances.
SOS is the second studio album by American singer-songwriter SZA.It was released on December 9, 2022, by Top Dawg Entertainment (TDE) and RCA Records.The album features guest appearances from Don Toliver, Phoebe Bridgers, Travis Scott, and the late Ol' Dirty Bastard.
SZA has been open about her struggles with mental health and anxiety, calling the music industry "one of the most stressful, psychosis-inducing industries". [122] She experienced suicidal depression after three ex-boyfriends died in quick succession, and says she worked toward self-acceptance by praying and creating music.
"Open Arms" is a song by American singer-songwriter SZA (pictured) from her second studio album, SOS (2022). It is an acoustic ballad backed by a guitar, featuring vocals from American rapper Travis Scott and a skit from SZA's deceased grandmother, Norma Rowe. A song about trying to stay with an ex-lover, "Open Arms" is addressed to a subject ...
"Open Arms" (Journey song), 1981, covered by Celine Dion, Mariah Carey, Younha, Low, and Collin Raye "Open Arms" (SZA song), 2022 "Open Arms" (Tina Turner song), 2004 "Open Arms", a song by Lloyd Banks from the 2012 mixtape V.6: The Gift "Open Arms", a song by Tracy Chapman from the 1992 album Matters of the Heart
"Open Arms" is a song by American singer-songwriter SZA (pictured) from her second studio album, SOS (2022), featuring American rapper Travis Scott. It is one of the album's guitar-backed acoustic ballads, exploring a style of music that departs from SZA's usual R&B-leaning sound.
Included are the use of credits alongside elaborate set designs and props. Bolstering the film influences are homages to Titanic (1997)—showed through the sunken-ship setting and SZA's open-arms pose at the trawler's bow—and the Kill Bill duology, showed through SZA's meteor hammer and Crazy 88 reference. [52] [55] [38]