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Salting the earth, or sowing with salt, is the ritual of spreading salt on the sites of cities razed by conquerors. [1] [2] It originated as a curse on re-inhabitation in the ancient Near East and became a well-established folkloric motif in the Middle Ages. [3] The best-known example is the salting of Shechem as narrated in the Biblical Book ...
Why the Sea Is Salt (Norwegian: Kvernen som maler på havsens bunn; the mill that grinds at the bottom of the sea) is a Norwegian fairy tale collected by Peter Christen Asbjørnsen and Jørgen Moe in their Norske Folkeeventyr. [1] Andrew Lang included it in The Blue Fairy Book (1889). [2]
Neptune and Salacia in a mosaic, Herculaneum, 1st c. AD Neptune and Amphitrite by Sebastiano Ricci, c. 1690. In ancient Roman mythology, Salacia (/ s ə ˈ l eɪ ʃ ə / sə-LAY-shə, Latin: [saˈɫaːkia]) was the female divinity of the sea, worshipped as the goddess of salt water who presided over the depths of the ocean. [1]
In Greek mythology, Limnoreia, Limnoria or Lymnoria [1] (Ancient Greek: Λιμνώρεια means 'salt-marsh') was the Nereid of the salt marshes [2] and one of the 50 marine-nymph daughters of the 'Old Man of the Sea' Nereus and the Oceanid Doris. [3]
Auðunar þáttr vestfirska (Old Norse: Old Norse pronunciation: [ˈɔuðunɑz̠ ˈθɑːttz̠ ˈwestˌfirskɑ]; Modern Icelandic: Auðunar þáttur vestfirska [ˈœyːðʏːnar ˈθauhtʏr ˈvɛstˌfɪska]; The Tale of Auðun of the West Fjords) is a short tale (or þáttr) preserved in three distinct versions as part of the saga of Harald III of Norway (reigned 1047–66, a.k.a. Haraldr inn ...
The Lost Salt Gift of Blood: New and Selected Stories is a 1976 short story collection by Canadian author Alistair MacLeod. [ 1 ] [ 2 ] All of the stories contained in the collection were later republished in the book Island , along with the stories from his collection As Birds Bring Forth the Sun and Other Stories .
[26] [27] The Sea Tsar or Sea King also appears in Slovak and Slovene folklore with the name morski kralj, [28] [29] and is reported to exist in Belarusian mythology as Car Mora. [30] He is also described as "a mighty and wealthy" regent who rules "in the depths of the sea", [ 31 ] but he may also live "in the depths of the lake, or the pool".
Many Salishan peoples distinguish between two basic genres of narrative, one is traditional stories corresponding roughly to what is called myth in English and which takes place in a Myth Age before the arrival of the modern age, in which plants, animals and weather phenomena are anthropomorphized.