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Portrait of a Woman, probably a Member of the Van Beresteyn Family is a 1632 oil-on-canvas portrait painting by Rembrandt. A depiction of a woman with an unusually large millstone collar, it is a pendant to Portrait of a Man, probably a Member of the Van Beresteyn Family. Both portraits are in the collection of the Metropolitan Museum of Art. [1]
Portrait of a Young Woman or Bust of a Young Woman is a 1632 oil on canvas painting by Rembrandt, signed and dated by the artist.. At the end of the 19th century it was bought by Johann II, Prince of Liechtenstein, who gave it to Georg Schmid von Grüneck, bishop of Chur, who in 1929 sold it for $125,000 to R. C. Vose Galleries, an art dealer in Boston, Massachusetts.
Portrait of a Woman, Rembrandt, 1633, Herzog Anton Ulrich-Museum, Braunschweig French Musée Herzog Anton Ulrich (Brunswick [Braunschweig]- Land de Basse-Saxe) — Portrait d'une femme par Rembrandt (1633)
The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
The same year she commissioned the portrait she drew up her will and named several nieces and nephews and sums to the poor of both the Mennonite community and the Reformed community. [5] The Rembrandt portrait was left to her brother along with 2000 guilders, and the parrot was to be left to Giertje Crommelingh.
A painting by titled "Portrait of Girl" by Dutch painter Rembrandt Harmenszoon van Rijn sold for $1.4 at the Thomaston Place Auction Galleries in Thomaston, Maine on August 24, 2024.
When it appeared in portraits, it was treated as ancient attire that suited well the mythical, historical, oriental or biblical subjects. Rembrandt often portrayed figures dressed in this manner both in his oil paintings and etchings. It is not a portrait, but a tronie or a study of a head or half-figure without any significant attributes or ...
Several oval portraits of women of 17th-century Amsterdam have survived. Some are pendants and others are individual portraits. This painting has been attributed to Rembrandt since the 19th-century, but the name of the sitter is unknown.
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