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Jesse Mark Moynihan [1] (born January 4, 1978) is an American artist, animator, composer and director. He is best known for being a writer and storyboard artist on the animated television series Adventure Time and as the creator of the graphic novel Forming.
Nicholas Robert Jennings (born July 8, 1965) is an American director, artist, writer, and producer best known for his work on the Nickelodeon shows Rocko's Modern Life and SpongeBob SquarePants, as well as the Cartoon Network series Adventure Time. He has also worked as a background artist for many animated television series.
Ristaino grew up in New England and studied at the Rhode Island School of Design where he earned a degree in illustration and animation. [2] Ristaino was friends with Tom Herpich, a character designer and storyboard artist for Adventure Time and asked Herpich to tell him if there were any job openings on the show.
Tom Herpich's work on Adventure Time has gained him two Outstanding Individual Achievement in Animation Emmy Award wins, along with three Primetime Emmy Award for Short-format Animation nominations: he was first nominated for the third-season episode "Too Young" in 2012, along with his then-storyboarding partner Jesse Moynihan; he was later nominated for the fifth-season episode "Be More ...
Adventure Time is an American animated fantasy franchise created by Pendleton Ward, set in the post-apocalyptic Land of Ooo. The franchise originated from a 2007 short produced for Fred Seibert 's animation incubator series Random!
Adventure Time #54, Story by Christopher Hastings. Art by Ian McGinty. Colors by Maarta Laiho. Letters by Steve Wands. Cover by Jackie Forrentino, Veronica Fish. Adventure Time: Candy Capers by Yuko Ota, Ananth Panagariya, Ian McGinty (Illustrations) Bee and Puppycat #3, created with Madeleine Flores, Ian McGinty, Anissa Espinosa, and Tait Howard.
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Before Coll started an illustration, he would contemplate on the design of the composition for a long while, which allowed him to draw without a model. [5] Later in his career, when he was able to use a model, he would draw a shaded image of the model with pencils on tracing paper, after which he would darken the backs of the tracing paper and retrace onto bristol board or illustration board. [7]