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Yasuda's best known book is The Japanese Haiku: Its Essential Nature, History, and Possibilities in English, with Selected Examples (1957). His other books include A Pepper-pod: Classic Japanese Poems Together with Original Haiku, a collection of haiku and translations in English; Masterworks of the Noh Theater; A Lacquer Box, translation of waka and a translation of Minase Sangin Hyakuin, a ...
The book includes both translations from Japanese and original poems of his own in English, which had previously appeared in his book titled A Pepper-Pod: Classic Japanese Poems together with Original Haiku. In these books Yasuda presented a critical theory about haiku, to which he added comments on haiku poetry by early 20th-century poets and ...
Among Kawahigashi's works are two books of commentary, Haiku hyōshaku (1899) and Shoku haiku hyōshaku (1899), and the haiku collection Hekigotō kushū (1916). Kawahigashi was also a travel writer, publishing Sanzenri ("Three Thousand ri") in 1906. [1] He visited Europe and America in 1921 and China and Mongolia in 1924. [2]
The main purpose is to collect, preserve, display, and view materials related to haiku. The building has four floors above ground and three below ground, with the Haiku Poet Association's office on the first and second floors. As of 2011, the library's collection includes over 54,000 haiku collections and 331,000 haiku magazines.
Fukuda Chiyo-ni (福田 千代尼, 1703 - 2 October 1775) or Kaga no Chiyo (加賀 千代女) was a Japanese poet of the Edo period and a Buddhist nun. [1] She is widely regarded as one of the greatest poets of haiku (then called hokku). Some of Chiyo's most notable works include "The Morning Glory", "Putting up my hair", and "Again the women".
While Shiki is best known as a haiku poet, [21] he wrote other genres of poetry, [22] prose criticism of poetry, [23] autobiographical prose, [23] and was a short prose essayist. [11] His earliest surviving work is a school essay, Yōken Setsu ("On Western Dogs"), where he praises the varied utility of western dogs as opposed to Japanese ones ...
His Haiku series (1949–52) was dealing mostly with pre-modern haiku, though included Masaoka Shiki; later followed his two-volume History of Haiku (1963–64). Today he is best known as a major interpreter of haiku and senryū to English speakers.
He is an author of numerous books about Japanese literature and in particular Haiku, Senryū, Tanka, and Japanese poetics. [5] The Old Pine Tree (1962) Literary and Art Theories in Japan (1967) Matsuo Bashō: The Master Haiku Poet (1970) Modern Japanese Haiku, an Anthology (1976) Modern Japanese Writers and the Nature of Literature (1976)
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