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Shklovsky is perhaps best known for developing the concept of ostranenie or defamiliarization (also translated as "estrangement") in literature. [9] He explained the concept in 1917 in the important essay "Art as Technique" (also translated as "Art as Device") [10] which comprised the first chapter of his seminal Theory of Prose, first ...
The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). [1]: 209 Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility."
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eichenbaum, Roman Jakobson, Boris Tomashevsky, Grigory Gukovsky who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity ...
Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. [2] Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".
Inevitably, patients imagined being told they were a good person at heart, that they were forgiven, and that they could go on to lead a good life. Of course, these conversations rely on imagination. But the technique allows the patient to articulate in his or her own words an alternative narrative about his injury.
According to Eichenbaum, Shklovsky was the lead critic of the group, and Shklovsky contributed two of their most well-known concepts: defamiliarization (ostraneniye, more literally, 'estrangement') and the plot/story distinction (syuzhet/fabula). "Defamiliarization" is one of the crucial ways in which literary language distinguishes itself from ...
T. E. Hulme: Romanticism and Classicism; Bergson's Theory of Art; Walter Benjamin: On Language as Such and On the Language of Man; Viktor Shklovsky: Art as Technique; T. S. Eliot: Tradition and the Individual Talent; Hamlet and His Problems; Irving Babbitt: Romantic Melancholy; Carl Jung: On the Relation of Analytical Psychology to Poetry
According to Viktor Shklovsky, Gogol used the technique of defamiliarization when a writer presents common things in an unfamiliar or strange way so that the reader can gain new perspectives and see the world differently. [5]