Search results
Results from the WOW.Com Content Network
Shklovsky is perhaps best known for developing the concept of ostranenie or defamiliarization (also translated as "estrangement") in literature. [9] He explained the concept in 1917 in the important essay "Art as Technique" (also translated as "Art as Device") [10] which comprised the first chapter of his seminal Theory of Prose, first ...
The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). [1]: 209 Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility."
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eichenbaum, Roman Jakobson, Boris Tomashevsky, Grigory Gukovsky who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity ...
Coined by the early 20th-century Russian literary critic Viktor Shklovsky in "Art as Technique." In Swift's Gulliver's Travels , when Gulliver visits the land of the giants and sees a giant woman's skin, he sees it as anything but smooth and beautiful when viewed up close. [ 4 ]
Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics.Semiotics, tied closely to the structuralism pioneered by Ferdinand de Saussure, was extremely influential in the development of literary theory out of the formalist approaches of the early twentieth century.
Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. [2] Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".
The Russian formalist, Viktor Shklovsky, viewed the syuzhet as the fabula defamiliarized. Defamiliarization or "making strange," a term Shklovsky coined and popularized, upends familiar ways of presenting a story, slows down the reader's perception, and makes the story appear unfamiliar. [ 8 ]
The group included Viktor Shklovsky, Boris Eikhenbaum, Osip Brik, Boris Kušner and Yury Tynianov. Along with the Moscow linguistic circle it was responsible for the development of Russian formalism and literary semiotics. It was dissolved under political pressure as "formalism" came to be a political term of opprobrium in the Soviet state.