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Paras-Sulit was considered at her productive peak during the period from 1927 to 1937. Her contemporary at the University of the Philippines, Jose Garcia Villa, was an admirer of her works, [3] and included several of her short stories in his annual honor roll of short fiction. [1]
Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
The origin of the story can be traced to the Ilocano, [3] which is linked to Indian arts. [4] The Ilocano version of the story offers an explanation on why monkeys don't eat meat. Versions of the story has a common theme of a weaker but cunning character (the tortoise or turtle) winning over a stronger adversary (the monkey). [3]
Marcelino M. Navarra (June 2, 1914 – March 28, 1984) was a Filipino Visayan editor, poet, and writer from Cebu, Philippines.He was regarded as the father of modern Cebuano short story for his use of realism and depictions of fictionalized version of his hometown, barrio Tuyom in Carcar, Cebu.
The film is an anthology adpated from two short stories. Regal Films released their own film in 1985, which featured three stories. [7] Mga Kuwento Ni Lola Basyang of Unitel Pictures was originally among the official entries of the 2012 Metro Manila Film Festival. [8] However the film was left unreleased and was replaced by Thy Womb. [9]
The first ten years of the century witnessed the first verse and prose efforts of Filipinos in student publications such as The Filipino Students’ Magazine first issue, 1905, a short-lived quarterly published in Berkeley, California, by Filipino pensionados (or government scholars); the U.P. College Folio (first issue, 1910); The Coconut of ...
Lirio is a short story by Peter Solis Nery, written originally in the Hiligaynon language of the Philippines, and in the magical realism style. [1] It won first prize in the Hiligaynon Short Story category of the 1998 Palanca Awards for Literature [2] The story is also widely used in the teaching of regional literature of the Philippines.
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