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Salt glazed pottery was also popular in North America from the early 17th century until the early 19th century, [13] indeed it was the dominant domestic pottery there during the 19th century. [14] Whilst its manufacture in America increased from the earliest dated production, the 1720s in Yorktown , significant amounts were imported from ...
While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface ...
Print/export Download as PDF; Printable version; In other projects ... Salt glaze pottery; Sang de boeuf glaze; Shino (glaze) T. Tenmoku; Tin-glazed pottery; Tin ...
[1] [2] There was a respite in production when Red Wing Pottery Sales, Inc. had a strike in 1967 causing them to temporarily cease trading. [1] [3] The company still makes both zinc/Bristol glazed products as well as salt-glazed, hand-thrown, kiln fired items. [4] [5]
Pfaltzgraff Folk Art stoneware (1977 to 1983) modeled on early American salt glazed pottery; the stenciled pattern "Yorktowne" is Pfalzgraff's most popular. Pfaltzgraff America chargers designed by David Walsh in collaboration with Museum of American Folk Art, 1983 to 1985
A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured in Europe throughout the 16th and 17th centuries, especially in the Cologne region, in what is today western Germany. The characteristic decorative detail is a bearded face mask appearing on the ...
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
Animals are more likely to be in salt-glazed stoneware, with green, brown and blue glazes the main colours, applied in broad strokes as highlights. The earliest figures cannot be attributed to specific makers, but by 1750 some figures are given to notable potters, such as Thomas Whieldon , who probably invented tortoiseshell ware in the late 1740s.