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Both Neo and another character, Cypher (Joe Pantoliano), take the red pill over the blue pill, though later in the first Matrix film, the latter demonstrates regret for having made that choice, saying that if Morpheus fully informed him of the situation, Cypher would have told him to "shove the red pill right up [his] ass." When Cypher ...
Morpheus offers Neo a choice of ingesting a red pill, which will activate a trace program to locate Neo's body in the real world and allow the Nebuchadnezzar crew to extract him, or a blue pill, which will leave Neo in the Matrix to live and believe as he wishes. Neo takes the red pill.
The red pill has been compared with red estrogen pills. [185] Morpheus's description of the Matrix creating a sense that something is fundamentally wrong, "like a splinter in your mind", has been compared to gender dysphoria. [185] In the original script, Switch was a woman in the Matrix and a man in the real world, but this idea was removed. [186]
The first film was an important critical and commercial success, winning four Academy Awards, introducing popular culture symbols such as the red pill and blue pill, and influencing action filmmaking. For those reasons, it has been added to the National Film Registry for preservation. [4]
Mr. Reagan (a.k.a. Cypher) (played by Joe Pantoliano) is a central character in The Matrix.In the film, he regrets being "unplugged" and entering the real world. He betrays the crew of the Nebuchadnezzar, offering to give up Morpheus to the Agents in exchange for being inserted back into the Matrix with no memory of his time outside the Matrix.
However, a woman with blue hair and a trench coat appears besides him. The woman introduces herself as Bugs, who tries to reopen his mind through a White Rabbit tattoo. Bugs then shows Neo her crew in an abandoned theater. Morpheus, part of Bugs' group once again, offers a blue pill and a red pill to Neo, who takes the red pill.
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Morpheus tells Agent Smith in one scene, "You all look the same to me." Nakamura said, "Primarily, the presence of people of color in the film lets us know we are in the realm of the real ; machine-induced fantasies and wish fulfillments, which is what the matrix is, are knowable to us by their distinctive and consistent whiteness."