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Even the most fantastic myths, legends and fairy tales differ from modern fantasy genre in three respects: Modern genre fantasy postulates a different reality, either a fantasy world separated from ours, or a hidden fantasy side of our own world. In addition, the rules, geography, history, etc. of this world tend to be defined, even if they are ...
This genre may include modern fairy tales, which use fairy tale motifs in original plots, such as The Wonderful Wizard of Oz and The Hobbit, as well as erotic, violent, or otherwise more adult-oriented retellings of classic fairy tales (many of which, in many variants, were originally intended an audience of adults, or a mixed audience of all ages), such as the comic book series Fables.
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, and French folklore), a form of spirit, often with metaphysical, supernatural, or preternatural qualities.
Literary fairy tales, such as those written by Charles Perrault (1628–1703) and Madame d'Aulnoy (c.1650 – 1705), became very popular early in the Age of Enlightenment. Many of Perrault's tales became fairy tale staples and were influential to later fantasy.
J. R. R. Tolkien was a professional philologist and an author of fantasy fiction, starting with the children's book The Hobbit in 1937. The Andrew Lang Lecture was important as it brought him to clarify his view of fairy stories as a legitimate literary genre, rather than something intended exclusively for children. [2]
The European fairy tale Little Red Riding Hood and the Wolf in a painting by Carl Larsson in 1881. A fairy tale (alternative names include fairytale, fairy story, household tale, [1] magic tale, or wonder tale) is a short story that belongs to the folklore genre. [2] Such stories typically feature magic, enchantments, and mythical or fanciful ...
MacDonald is often regarded as the founding father of modern fantasy writing. [12] His best-known works are Phantastes (1858), The Princess and the Goblin (1872), At the Back of the North Wind (1868–1871), and Lilith (1895), all fantasy novels, and fairy tales such as "The Light Princess", "The Golden Key", and "The Wise Woman". MacDonald ...
Katharine Mary Briggs's Kate Crackernuts (1963) based on the Scottish fairy tale Kate Crackernuts; James Reeves's The Cold Flame (1967), a retelling of the Grimm tale The Blue Light; Joan Vinge's The Snow Queen (1980) using elements of the Hans Christian Andersen fairy tale; Kara Dalkey's The Nightingale (1988), based on "The Emperor and the ...