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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
In Western art, fungi have been historically connoted with negative elements, whereas Asian art and folk art are generally more favorable towards fungi. British mycologist William Delisle Hay, in his 1887 book An Elementary Text-Book of British Fungi, [1] [2] describes Western cultures as being mycophobes (exhibiting fear, loathing, or hostility towards mushrooms).
The Bishop White Gallery of Chinese Temple Art [1] is one of four galleries in the Royal Ontario Museum (ROM) that are dedicated to Chinese art and archaeology. It contains one of the most important collections of Chinese temple art in the world, [2] including three Yuan Dynasty (1271 – 1368 AD) temple wall paintings from Shanxi Province that adorn the three walls of the Gallery, and several ...
Though wenshou serve an aesthetic purpose, they were also used to fight superstitious beliefs through the symbolism of what each figure represents. [1] Today, wenshou serve as cultural artifacts of China, as they are existing physical representations of the traditions, values, and beliefs of the era in which they were erected.
The temple is most renowned for the painted clay sculptures of the 500 Buddhist arhats (Chinese: 五 百 罗 汉; pinyin: Wǔbǎi Luōhàn).The sculptures which are known as the "sculptured pearls in the oriental treasure-house" were created during the reign of the Guangxu Emperor (r. 1875–1908) in the Qing dynasty, when the temple was undergoing major repairs.
The Paradise of Maitreya (Chinese: 彌勒佛說法圖) is a wall painting created by Zhu Haogu during China's Yuan Dynasty. The painting was originally housed in the Xinghua Si Temple of Xiaoning, Shanxi. During the 1920s and 1930s, it was disassembled and moved to the Royal Ontario Museum (ROM) of Toronto, Canada, where it remains today ...
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
During the Tang dynasty, the capital city Chang'an (today's Xi'an), was the most populous city in the known world, and the era is generally regarded by historians as a high point in Chinese civilization and a golden age of Chinese literature and art. In several areas developments during the Tang set the direction for many centuries to come.