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Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3. The parallels include the jealousy of non-Jews, an imperial edict requiring Jews ...
English: Daniel in the Lions' Den, by Briton Rivière. This version started out as a digital image that had the saturation increased digitally. Comparing to the version on the museum's website, the image was desaturated and cooled, to be closer to Briton's original.
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The Lion's Den, a 1919 American film starring Bert Lytell; The Lion's Den, a 1936 American western film starring Tim McCoy; Lion's Den, a 1988 short film by Bryan Singer; Lion's Den, a 2008 Argentine film by Pablo Trapero
Quotations from Chairman Mao Tse-tung was originally compiled by an office of the PLA Daily (People's Liberation Army Daily) as an inspirational political and military document. The initial publication covered 23 topics with 200 selected quotations by Mao, and was entitled 200 Quotations from Chairman Mao .
First edition (publ. McGraw Hill) The Happy Lion (ISBN 0-375-82759-5) is a 1954 children's picture book by Louise Fatio and illustrated by Roger Duvoisin. [1] The tale follows a Happy Lion in France who, after escaping the small zoo where he lives, is surprised that people, who loved visiting him there, are now scared of him.
The moral drawn in Mediaeval Latin retellings of the fable such as those of Adémar de Chabannes and Romulus Anglicus [7] was that one should learn from the misfortunes of others, but it was also given a political slant by the additional comment that "it is easier to enter the house of a great lord than to get out of it", as William Caxton expressed it in his English version. [8]