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But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
Halo (religious iconography) A halo (from Ancient Greek ἅλως, hálōs, 'threshing floor, disk'), [1][2] also called a nimbus, aureole, glory or gloriole (Latin: gloriola, lit. 'little glory'), is a crown of light rays, circle or disk of light [3] that surrounds a person in works of art. The halo occurs in the iconography of many religions ...
e. Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the Roman Empire ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Jyoti or Jyot – a holy flame that is lit with cotton wicks and ghee or mustard oil. It is the prayer ritual of devotional worship performed by Hindus offer to the deities. Jyoti is also a representation of the divine light and a form of the Hindu goddess Durga shakti. Ohr Ein Sof – in Rabbinic Judaism and Kabbalah, meaning the "Infinite Light."
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of art which uses symbolism to show the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.