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Narmer Palette. The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found.
The palettes later adopted a rounder shape like the Narmer Palette. [13] King Narmer's palette was the earliest piece of its kind. It has decorations of the King smiting the enemies of Egypt and the unification of Upper and Lower Egypt, as well as a cavity for the grinding of cosmetics, making it a double purposed palette.
[f] Of course, the Narmer Palette could represent an actual historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered a "year label" of Narmer at Abydos, depicting the same event that is depicted on the Narmer Palette. In the First Dynasty, years were identified by the name of the king and an ...
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
The Narmer macehead (right) at time of discovery, Hierakonpolis. On the center part of the macehead, behind the throne with the seated king, there is a figure just like the supposed sandal-bearer from the Narmer palette, likewise with the rosette sign above its head. He is followed by a man carrying a long pole.
Narmer is also the earliest king associated to the symbols of power over the two lands (see in particular the Narmer Palette, a votive cosmetic palette showing Narmer wearing the crowns of Upper and Lower Egypt) and may therefore be the first king to achieve the unification.
The Egyptologist Lana Troy, however, identifies a passage in the Pyramid Texts from the late Old Kingdom that connects Hathor with the "apron" of the king, reminiscent of the goddess on Narmer's garments, and suggests the goddess on the Narmer Palette is Hathor rather than Bat. [4] [7] In the Fourth Dynasty, Hathor rose rapidly to prominence. [8]
Information about this dynasty is derived from a few monuments and other objects bearing royal names, the most important being the Narmer Palette and Narmer Macehead, as well as Den and Qa'a king lists. [5] [6] [7] No detailed records of the first two dynasties have survived, except for the terse lists on the Palermo Stone.