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Pressed flower decoupage on a miniature chair. Oshibana (押し花) is the art of using pressed flowers and other botanical materials to create an entire picture from these natural elements. [1] Such pressed flower art consists of drying flower petals and leaves in a flower press to flatten them, exclude light and press out moisture.
Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820. Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana (生け花, 活け花, 'arranging flowers' or 'making flowers alive') is the Japanese art of flower arrangement. [1][2] It is also ...
Gongbi (simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style. The name is from the Chinese gong jin meaning 'tidy' (meticulous brush craftsmanship).
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Flower paintings of Georgia O'Keeffe. Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 ...
Japanese painting (絵画, kaiga; also gadō 画道) is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the ...
Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
During the period of the Five Dynasties and Ten Kingdoms period, a painter named Huang Quan (黄筌) from Former Shu significantly developed the techniques in bird-and-flower painting, especially in painting trees and flowers, and his painting was called as the fine-sounding name Mogu Huazhi (沒骨花枝). [citation needed]
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