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Digression (parékbasis in Greek, egressio, digressio and excursion in Latin) is a section of a composition or speech that marks a temporary shift of subject; the digression ends when the writer or speaker returns to the main topic.
The original meaning was similar to "the game is afoot", but its modern meaning, like that of the phrase "crossing the Rubicon", denotes passing the point of no return on a momentous decision and entering into a risky endeavor where the outcome is left to chance. alenda lux ubi orta libertas: Let light be nourished where liberty has arisen
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A quotation is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
Literary critics have emphasized the artificial character of pastoral nature: "The pastoral was in its very origin a sort of toy, literature of make-believe." [ 3 ] Milton himself "recognized the pastoral as one of the natural modes of literary expression," employing it throughout "Lycidas" in order to achieve a strange juxtaposition between ...
An anecdote [1] [2] is "a story with a point", [3] such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait.
Learning more about his history could help determine a motive and provide a fuller story for the jury, but prosecutors don’t need to do so to make their case, said Hermann Walz, a former ...
The Theaetetus is one of the few works of Plato that gives contextual clues on the timeline of its authorship: The dialogue is framed by a brief scene in which Euclid of Megara and his friend Terpsion witness a wounded Theataetus returning on his way home after from fighting in an Athenian battle at Corinth, from which he apparently died of his wounds.