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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Method for scales and arpeggios for double bass with piano; Míšek wrote arrangements of Czech folk songs for choir, arranged various pieces for violin and double bass and he composed couple of marches and other pieces for wind ensembles.
The "B" section is in G major (the relative major to E minor) and features upbow staccato and singly-bowed arpeggios. 16: G minor: Presto: Caprice No. 16 is perhaps the simplest of the caprices. The chief difficulties are string crossings and some broken tenths. The only chord is the final note. 17: E-flat major: Sostenuto/Andante
Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...
The third movement is in E-flat major and is in 2/4 time. It is rapid and hectic with florid melodies. There are many technical difficulties confronting the soloist, including many octaves, rapid arpeggio and scale figures, and large chords. The concerto ends in an exhilarating coda. It lasts about 8 minutes.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet.. The nickname "Harp" refers to the characteristic pizzicato sections in the allegro of the first movement, where pairs of members of the quartet alternate notes in an arpeggio, reminiscent of the plucking of a harp.
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.