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Another interpretation or usage of the gaze of Orpheus is by Geoffrey Sirc. Sirc uses Orpheus's moment of violation as argument for creative form in writing versus the standard polished text. Urging the adolescent writer to break free of formal notions of form, Sirc views the journal as the media through which Orpheus yearns for Eurydice.
Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. [1] It was one of the earliest operas to be staged in France.
The Orphic Trilogy is a series of three French films written and directed by Jean Cocteau: [1] [2]. The Blood of a Poet, or Le sang d'un poète, 1930; Orpheus, or Orphée (also the title used in the UK), 1950
He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [ 2 ]
The Hymns were in antiquity attributed to the mythical poet Orpheus, and modern scholarship has mostly continued to see the collection as being situated in the Orphic tradition. The Orphic Hymns open with a proem, in which Orpheus addresses his student Musaeus, calling upon various deities to attend the recitation of the hymns. The individual ...
The Orphic Argonautica or Argonautica Orphica (Ancient Greek: Ὀρφέως Ἀργοναυτικά) is a Greek epic poem dating from the 4th century CE. [1] It is narrated in the first person in the name of Orpheus and tells the story of Jason and the Argonauts.
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