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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
In Old California: 1942: 1991: Republic Pictures [352] In Old Oklahoma: 1943: 1992: Republic Pictures [353] In This Our Life: 1942: 1990: Turner Entertainment [354] Intruder in the Dust: 1949: 1994: Turner Entertainment [355] Invasion of the Body Snatchers: 1956: 1988: Republic Pictures [356] It Came from Beneath the Sea: 1955: 2008: Columbia ...
Lunch atop a Skyscraper, 1932. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City.
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
Image credits: Downey, Jack,, photographer. Many of us love using black-and-white filters on our photos today, but back in the day, that was the only option! Imagine a world where every photo was ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
From the Hollywood Sign and Walk of Fame to the most glamorous stages and darkest bars, here's where history, and sometimes infamy, had a starring role.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.