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"Me and Mrs. Jones" was a #1 single originally performed by Billy Paul, recorded and released in 1972 on CBS Records' Philadelphia International imprint. The single, included on the album 360 Degrees of Billy Paul, was written by Cary 'Hippy' Gilbert, Kenny Gamble, and Leon Huff, and arranged by Bobby Martin.
Paul Williams (December 1, 1934 – April 24, 2016), [1] known professionally as Billy Paul, was an American soul singer, known for his 1972 No. 1 single "Me and Mrs. Jones". His 1973 album and single War of the Gods blends his more conventional pop , soul, and funk styles with electronic and psychedelic influences.
Me and Mrs. Jones is an album by American pop singer Johnny Mathis that was released in January 1973 by Columbia Records. While it does cover several big chart hits of the day like his last album, Song Sung Blue , did, it also includes songs that didn't make the US Top 40 ("Remember", "You're a Lady") or had never charted (" Happy ", "I Was ...
[5] In his review of the 2012 reissue of 360 Degrees of Billy Paul, Joe Marchese noted: "Less commercially successful [than 'Me and Mrs. Jones'] was the driving 'Am I Black Enough for You?' also from Gamble and Huff. Today, the singer regrets the decision to have the funky track follow 'Mrs. Jones,' despite its potent message and smoking ...
Caitlin Clark had a strong response to Megyn Kelly's criticism about her recent comments regarding white privilege in the WNBA. A day later, Clark spoke at the “A Year in Time” event in New ...
"Be Truthful to Me" Billy Paul - 37 - Written by Gamble, Huff, Gene McFadden and John Whitehead "I'm Weak for You " Harold Melvin & the Blue Notes - 87 - Written by Gamble, Huff, and Cary Gilbert "Thanks for Saving My Life" Billy Paul 37 9 - "TSOP (The Sound of Philadelphia)" M.F.S.B. feat. the Three Degrees: 1 1 22 "For the Love of Money" The ...
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Released in 1971, this would be Paul's Philadelphia International Records debut after recording his first two albums for Kenny Gamble and Leon Huff's Neptune and Gamble labels. Gamble recalled: "We really wanted to get a big hit on Billy. The problem was finding a balance between his natural jazz style and what was going down in soul music.