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The lives of Marty Stouffer and his brothers, Mark and Marshall, in their hometown of Fort Smith, Arkansas, were later adapted for the film Wild America in 1997. Headlined by Home Improvement child star Jonathan Taylor Thomas and directed by William Dear , the film dramatized how the three boys became intrigued with the production of their ...
Wild America grossed $7.3 million. [1] Rotten Tomatoes, a review aggregator, reports that 27% of 22 surveyed critics gave the film a positive review; the average rating is 4.5/10. The site's consensus states: "Wild America has the appearance of an old-school wilderness adventure, but lacks an involving story to anchor all the outdoor action." [2]
Run Wild, Run Free (also known as The White Colt and Philip) is a 1969 British drama film directed by Richard C. Sarafian and starring John Mills. The film was written by David Rook, based on his novel The White Colt, and shot on location in Dartmoor, Devon, England. [1] [2] [3]
America America (British title The Anatolian Smile) is a 1963 American drama film directed, produced and written by Elia Kazan. It was inspired by the struggle of his uncle, Avraam Elia Kazantzoglou, to work his way to America, a land of dreams and opportunity. Kazan adapted the screenplay from his own 1962 book.
Americathon (also known as Americathon 1998) is a 1979 American comedy film directed by Neal Israel and starring John Ritter, Fred Willard, Peter Riegert, Harvey Korman, and Nancy Morgan, with narration by George Carlin.
America: The Motion Picture is a 2021 American comedy film directed by Matt Thompson and written by Dave Callaham, who both also produce. It stars Channing Tatum (also a producer), Jason Mantzoukas , Olivia Munn , Bobby Moynihan , Judy Greer , Will Forte , Raoul Max Trujillo , Killer Mike , Simon Pegg and Andy Samberg .
[8] In its summary of the 1986–87 US television season, TV Guide called the miniseries "arguably the most boring miniseries in a decade", adding that "ABC's Amerika tried to hold America hostage for seven tedious nights (and a stupefyingly dull 14 + 1 ⁄ 2 hours) by conjuring up a fuzzy vision of a Communist occupation of the U.S." [15]
John O'Connor of The New York Times also noted the rapid production of the film that aired "little more than a month after the Texas fire that claimed the lives of David Koresh and 71 other people" and determined that "the elapsed time between news story and television docudrama grows ever shorter as networks scramble to exploit a seemingly ...