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Suswagatham (transl. Hearty welcome) is a 1998 Indian Telugu-language romance film produced by R. B. Choudary under the Super Good Films banner, directed by Bhimaneni Srinivasa Rao.
Kummiattam is a folk dance similar to Kolattam, with the difference being that hands are used to make sounds while dancing in kummiattam instead of sticks used in the later. [2] The dancers form a rhythm by clapping the hands in different postures. [11] A similar dance form practiced in Andhra Pradesh and Telangana is known as Kolannalu. [12]
"Kamsale", popularly known as "Devaraguddas", belongs to the Halumatha (Kuruba Gowda) community who are disciples of Lord Mahadeshwara.Kamsale Mela is a popular folk song which deals with the history of 'Mahadeshwara' (worshipping deity) of Mahadeshwara hills, a renowned pilgrim centre, situated in Chamarajanagar district
Film Song Composer(s) Writer(s) Co-singer(s) Ref. Hum Dil De Chuke Sanam "Kaipoche" Ismail Darbar: Mehboob Kotwal: Shankar Mahadevan, Jyotsna Hardikar, Damayanti Bardai [6]"Tadap Tadap"
Veeragase gets its name from the Hindu legendary warrior lord - Veerabhadra; Ajaata putra (Non biological child - who didn't take birth formally) of lord Shiva.According to Puranas, the Hindu supreme deity Lord Shrimanmahaa Shankara bhagavaan was married to Sati(who is also known as Daakshayini - since she was the favouritest child of Daksha - He got maata Aadishakti incarnated as his child ...
Meenakshi Srinivasan (born 11 June 1971) is an Indian classical dancer and choreographer, and an exponent of the Pandanallur style of Bharatnatyam. [1] She trained under Alarmel Valli and is considered among the most promising soloists of the younger generation of dancers in this traditional style.
Portrait of Siddhendra Yogi. Satyanarayana Sarma was born on 9 September 1935 at Kuchipudi, [note 2] a small village in Krishna district of the south Indian state of Andhra Pradesh in Vedantam family which is known for its Kuchipudi tradition, to Vedantam Venkataratnam and Subbamma. [6]
Chinna Satyam sublimated and systematised Indian Kuchipudi dance, giving it a more classical basis. He refined the art form, bringing it closer to the standards of Natya Shastra and introduced new elements, e.g. chari (leg movements) of Natya Shastra that are significantly different from the interpretations of other dance authorities, such as Padma Subrahmanyam.