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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to ...
Instruments commonly used as unpitched and/or untuned percussion. Instruments commonly part of the percussion section of a band or orchestra. These three groups overlap heavily, but inclusion in any one is sufficient for an instrument to be included in this list. However, when only a specific subtype of the instrument qualifies as a percussion ...
The ghatam is one of the most ancient percussion instruments in Pakistan and India. It is a clay pot with a narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of iron filings, the pitch of the ghatam varies according to its size.
Pages in category "Indian musical instruments" The following 147 pages are in this category, out of 147 total. This list may not reflect recent changes. *
Nakara (Indian drum) is one among them. It is the variant of Murasu instrument. In famous temples this pair of musical instrument is either tied on the back of a bull or an elephant and the animal taken before the procession. Beating the instrument would communicate people that the temple procession is following. [5]
Assamese polymath Sankardeva is known to have adapted and evolved the tradition of gayan-bayan by using musical instruments like the khol and taal. According to Assamese Neo-Vaishnavites, playing the khol is regarded as a holy activity and it is also considered to be one of the most important traditional percussion instruments. [4]
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