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Thirteen Preludes (Russian: Тринадцать прелюдий, Trinadtsat' prelyudiy), Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. It complements his earlier Prelude in C ♯ minor, Op. 3/2, and 10 Preludes, Op. 23, to complete the full set of 24 Preludes in all 24 major and minor keys.
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In 1901, Rachmaninoff wrote his Prelude in G minor.This was not published until he had completed nine more preludes in 1903, the set of 10 becoming his Op. 23. These were all in different keys, none of which was C ♯ minor, but it is not known whether he fully intended by this time to eventually complete the full complement of 24 preludes in different keys, to emulate earlier examples by Bach ...
Sergei Rachmaninoff's Prelude in C-sharp minor (Russian: Прелюдия, romanized: Prelyudiya), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie , it is a 62- bar prelude in ternary (ABA) form.
Rachmaninoff's compositions cover a variety of musical forms and genres. Born in Novgorod , Russia in 1873, he studied at the Moscow Conservatory with Nikolai Zverev , Alexander Siloti , Sergei Taneyev and Anton Arensky , and while there, composed some of his most famous works, including the first piano concerto (Op. 1) and the Prelude in C ...
Download as PDF; Printable version; ... (Rachmaninoff) Prelude in G-flat major (Rachmaninoff) ... Text is available under the Creative Commons Attribution-ShareAlike ...
suggested by Rachmaninoff’s Rhapsody on a Theme of Paganini, op. 43. and Piano Concerto no. 3 in D minor, op. 30 "Not Alone" — Rach, Natalya§ Adapted from Moment Musical in Db major, op. 16, no. 5 "The Prelude" — Rach§ Prelude in C♯ minor, op. 3, no. 2 Text by Dave Malloy "Fate" from 12 Songs, op. 21, no. 1†§
Rachmaninoff, pictured here at age 10, produced most of the pieces not included in his opus before he was 14. The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre.