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However, Bakhtiari patterns are copied in other weaving centers in Iran, Pakistan, India and China; the location-based name often refers to the place of origin of the pattern and the quality of the rug, rather than to its place of actual manufacture. Saman and Hori are now regarded as grades of Bakhtiari rugs, rather than as geographical terms.
The carpets often depict the scenes of falconry or images of a ferocious lion. Well known are also Tabriz carpet-pictures with images of fragments of palaces and mosques, scenes of battles. Often, in creation of this or that ornamental pattern carpet weavers were inspired by the hand-painted covers of ancient books.
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
The inner field contains 4 × 6 identical square frames arranged in rows on a red ground, each filled by identical, star-shaped ornaments made up by centrally overlapping x- and cross-shaped patterns. The design of the carpet already shows the basic arrangement of what was to become the standard oriental carpet design: a field with repeating ...
The field patterns of the Konya carpets are mostly geometric, and small in relation to the carpet size. Similar patterns are arranged in diagonal rows: Hexagons with plain, or hooked outlines; squares filled with stars, with interposed kufic-like ornaments; hexagons in diamonds composed of rhomboids, rhomboids filed with stylized flowers and ...
Kerman carpets of the 18th century and later very often use "lattice" patterns, with the central field divided by a lattice design giving many small compartments. A notable example is a carpet having belonged to William Morris , now on display at the Victoria and Albert Museum . [ 1 ]
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