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From the line, Vogue called the sheath dress the "most important single day fashion". [9] In 1956, a girdle sales manager remarked “The sheath paid for my house in Westport.” [10] Pattern companies sold sheath cuts up to size 22 ½ and 41 inch bust size. The dress was referred to as “the slim look for five o’clock on”.
The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
Various Ancient Egyptian clothes and jewelry including an undecorated tunic (1), a decorated sheath dress (5), a shendyt (2), a cape & skirt ensemble (13), one of the draping styles for the sari-like garment (3) Ancient Egyptian dress can broadly be divided into types of tunics, robes, skirts, and shawls, typically made of linen.
The jacket was based on the British Army 'Battle Dress' jacket of the same era. The cardigan is a knitted jacket or button-front sweater created to keep British soldiers warm in Russian winters. It is named for James Brudenell, 7th Earl of Cardigan , who led the Charge of the Light Brigade in the Crimean War (1854).
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
The dresses were held up by one or two straps and were worn down to the ankle, while the upper edge could be worn above or below the breasts. The length of the dress denoted the social class of the wearer. [9] Beading or feathers were also used as an embellishment on the dress. [10] Over the dress, women had a choice of wearing shawls, capes ...
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