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The Welcome to Country and Acknowledgement of Country have become core Australian customs. [31] Some jurisdictions, such as New South Wales, make a welcome (or, failing that, acknowledgement) mandatory [dubious – discuss] at all government-run events. [32] The Victorian Government supports Welcome to Country and Acknowledgement of Country. [33]
The term "on Country", or "on [a specific people] country" is often used. [6] Connection to country, "the most fundamental pillar of Indigenous identity", is a difficult concept for non-Indigenous Australians to understand, and disconnection from country has been shown to have an impact on Indigenous peoples' health and well-being. [7]
Comical 18th-century country dance; engraving by Hogarth. A country dance is any of a very large number of social dances of a type that originated in England in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets.
Drawing on this important relationship with Country, many First Nations Australians — including Aboriginal Australians across the continent and Torres Strait Islanders alike [13] [34] — identify a sense of responsibility or obligation to care for Country as a central tenet of traditional custodianship.
Schottische in Madrid August 2017. The schottische is a partnered country dance that apparently originated in Bohemia. [citation needed] It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (chotis Spanish Wikipedia and chamamé), Finland (), France, Italy, Norway ("reinlender [] "), Portugal and ...
A land acknowledgement (or territorial acknowledgement) is a formal statement that acknowledges the Indigenous peoples of the land. It may be in written form, or be spoken at the beginning of public events. The custom of land acknowledgement is present in Canada, Australia, and New Zealand, and more recently in the United States. [1]
Kontradans or the French-Haitian Contredanse, [1] is creolized dance music formed in the 18th century in the French colony of Saint-Domingue [2] that evolved from the English contra dance, or (country dance), which eventually spread throughout the Caribbean, Louisiana, Europe and the rest of the New World from the Creoles of Saint-Domingue.
Romvong, Apsara Dance, Peacock Dance, Chhayam: Canada: None, Canadian stepdance unofficially; Red River Jig for Métis; jingle dance, Fancy dance and First Nations tribal dance styles dominate in areas populated by First Nations. Cape Verde: Coladeira, Batuque: Chile: Cueca; [4] Rapa Nui: Sau-sau and others China: Yangge, Lion dance, Dragon ...